The spreadsheet shows sales forecast for a convenience store. Let's create a one variable data table to start with. If you're creating a two variable data table, then you fill in both text boxes. One cell becomes the Row Input cell that substitutes values you've entered across columns of a single row – and vice versa. If you're creating a one variable data table, you choose one cell in your worksheet to use as either the Row Input Cell or as the Column Input Cell. The dialogue box above has two text boxes: Row Input Cell and Column Input Cell. To start a what-if analysis, click the Data tab, then go to the What-if Analysis button in the Forecast group.Ĭhoose Data Table from the dropdown menu. Let's walk through it step by step. We're going to do a what-if analysis with a one variable data table. If you're lost as to what we mean at this point, don't worry. A two variable table substitutes a series of possible values for two values in one formula. Scenarios. This lets you set up and test different cases (best case scenario).Įxcel 2016 will support two types of data tables: a one variable data table and a two variable data table. The one variable data table substitutes a series of possible values for a single value in a formula. Goal seeking. This lets you to discover what it takes to reach a certain objective. This lets you see how changing one or two values will affect the bottom line. However, in this article, we're going to cover three:ĭata tables. There are all types of what-if analyses that Excel can do. It would be a big mistake for anyone to chalk Excel up to a fancy calculator that simply creates fancy spreadsheets and performs calculations.
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The player has to beat the team and bring back peace to the region. The evil team goes by the name of Mirage. After some time, the evil in the game tries to create havoc in the game. Starting from a small city with the regular starter Pokemon. In this game, the player starts with the regular game. This game has become very popular among the Pokemon Community due to its interesting storyline. Pokemon Resolute is a hack of the Pokemon Emerald Version.
Now Supports Nintendo DS as well. Gameboy Advance Emulator with multiplayer support. Multi-system emulator designed for Tool-Assisted Speedruns (TAS) Probably the best Gameboy Advance emulator available.
The track has also been used in an enormous number of videos, TV shows, movie trailers and advertising campaigns, including the trailer for The Hunger Games: Catching Fire, an episode of MTV’s Teen Wolf, and on the soundtrack for the movie Divergent.īut what is just as fabulous as the song itself is the black and white video Woodkid produced for ‘ Run Boy Run‘. Quite a feat for the French artist, whose chamber pop, industrial music doesn’t usually get attention from the mass market. It was the second single from the powerful album, and hit the charts in six countries. The song itself was written by French singer songwriter, producer and music video director Woodkid, aka Yoann Lemoine, for his incredible debut album The Golden Age. What was the trickiest element of the project?Ĭompositing! Every monster was shot separately, the last massive fresco had more than 400 layers of explosions and dust and characters.‘Run Boy Run‘ was played on episode 2, “ Tape 1, Side B“, as Tony’s car passes Clay’s bicycle and then Tony meets Hannah’s mother. I’m a big video games player, I specially enjoy the final fantasy series. I think it’s a world that has to be renewed and that you can very easily mix with fashion, cinema and contemporary art. I love the idea of recreating a whole society, from religion to geography, to cults and costumes… It’s a perfect ground for symbolisms and metaphors, which are my favourite tools to create stories and emotions. It felt like there were a lot of ideas from and visual nods to fantasy literature – did you have any particular influences? It was great to see him evolving like that. I had to direct him chronologically, from his fears to be cabled, his tension, to his release after two days of shoot where he was laughing and playing with the stunt. It’s really about the transformation of the child to an adult, his future collision to the city, the delusion that’s gonna happen next, his imagination versus the social moral. How did you go about coaxing this performance from your actor? And what does his transformation mean to you? I love the evolution of the main character from fearful boy to triumphant hero – just as the boy picks up various weapons and helmets on the way his expression also changes. She did an amazing job interpreting my visions. I worked with an amazing French costume designer called Rosalie. I wanted something very organic and woody, in opposition to the city that was very cold and mineral. The monsters are amazing – what inspired the character design and who helped you create them? I actually never really feed me with music really. Sometimes when I watch a beautiful sad movie, I want to write a song right after, just transcribe this thing that happens in my body into vibrations. I needed to express those bad emotions and transcribe them into an art piece. When I did Iron (see Related Content) I was in a very angry and rebellious state of mind. There is something very psychoanalytic in this album, it’s a real testimony.īut I’m mainly inspired by anything emotional. It’s not an autobiography but I inject a lot of my personal stories and feelings in it obviously. The video seems to draw from childhood fears, triumphs and make believe – did you draw from any personal experiences or memories?Ī lot of course, I get inspired by my own sexuality, my own childhood, my own demons. Not really, it’s much easier as I start thinking of the visuals as soon as I start the track! I can go much deeper as I agree with the artist on every point! What chord sequence would perfectly represent nostalgia, or a sense of revival for example? Which sound texture would be marble, or wood? Which sound would be a very bright light?Īre there any particular challenges that arise when working on both the track and the music video for a project, when compared to creating a video for another musical artist? I try to find links between images, sounds and emotions. I make it come to life by gathering images, sounds, it comes from a very blurry and abstract starting point and then I elevate my visions, I sculpt them by gathering more images or more sounds, and I try to reach a momentum where all these references together make perfect sense to me. It’s like memories or colors, textures sometimes, a sense of light. As a director I need to see images, ghosts. When developing Run Boy Run, did the project start out as a collection of visual ideas or musical ideas? We spoke to Yoann about combining filmmaking with musicianship and flipping between the two. His latest video, Run Boy Run, was created for one of his own songs and the resulting synthesis of sound and vision is both epically impressive and deeply personal. And it turns out that, as a musician, he has pretty much the same effect on our ears. Don’t we just love Yoann Lemoine? For some time now he’s been a director who has regularly caught our eyes with glints of genius and flashes of beauty. |
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